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The returns show that in both 2016 and 2017, Sanders and his wife jointly earned more than $1 million in each of those years. On Monday evening, Beto O'Rourke also released a decade of returns.

Robert Rauschenberg worked on-and-off for 17 years on 190 painted, collaged panels roughly spanning the length of his commute. The monumental artwork is exhibited in its entirety for the first time.

Over 10 years ago, the writer Wills Glasspiegel heard an album by Ahmed Janka Nabay at random, beginning a friendship that changed both their lives and helped to spread an electrifying form of music.

Stephanie Clifford's debut novel, about the desperate social strivings of a young woman in Manhattan, has its roots in the tragic, old-money fascinations of Edith Wharton's The House of Mirth.

Last month, photographer Cayla Nimmo documented the scenes of Diné Pride in Window Rock, Ariz. The festivities were in the shadow of the Navajo Nation's same-sex marriage ban.

How did Samuel Barber's stirring, lush work for strings — music that has become America's semi-official music of mourning — morph into a beloved and endlessly remixed dance floor anthem?

After a test to rule out cancer, Brianna Snitchler faced a facility fee for use of the hospital's radiology room. She wasn't told in advance about the charge, which strained her tight budget.

The new AG held his first on-record briefing as head of the Justice Department on Monday. He said he's "not a fan" of legalized marijuana use, and threats against Jewish centers are unacceptable.

Mark Bowden's account of the unsolved 1975 case of two girls who went missing near D.C. is a riveting, serpentine story about the dogged pursuit of the truth, regardless of the outcome or the cost.

Lawyers for indicted Russian agent Maria Butina are trying to win her release. They're asserting prosecutors misrepresented the facts to smear her.

Snow plow drivers spend long, dangerous hours behind the wheel. Justin Horak recently sang about his travails on YouTube, and the video has gone viral.

Mendonça, one of Brazil's most popular pop stars, is solidifying her reputation as the face of a new genre: "feminejo," which is injecting a female perspective into the region's pop-country music.